MOTOWN ACT THE DRIFTWOOD LOUNGE . . . MARCH 13, 1965

From the MCRFB news archive: 1965

‘HITSVILLE U.S.A.’ ACT IN DETROIT NIGHTCLUB A HIT

 

 

 

 

 

DETROIT — “Hitsville, U.S.A.,” the name of Berry Gordy’s talent firm, is presenting a swinging, solid show at the Driftwood Lounge here, situated on the second floor of Detroit’s popular 20 Grand. On the bill are Marvin Gaye, the Spinners, and the Earl Van Dyke Soul Orchestra (backed by Detroit blues orchestrator Choker Campbell).

The place to be for ‘soul’ happenings in the 1960s, the Driftwood Lounge, situated inside the 20 Grand, was located at 5020 14th at W. Warren in Detroit.

While the show is centered on Gaye, there is more than enough talent to go around. Motown’s own Spinners come on five strong and weave their musical, soulful strut while on stage, a standout each time they perform. They are a good sight act as well as potent purveyors of pop music and rock, interspersed with smooth ballads. Kim Weston is a young Detroit performer who can really belt a ballad. With strong pipes, she holds a solid vocal projection, coupled with fine hit materials with a solid backing by the Earl Van Dyke orchestra to hold the evening Driftwood crowd entertained all the way.

Marvin Gaye has come a long way since his first Motown hit in 1962. He has acquired tremendous stage presence and he knows how to inject excitement before crowds with his fine, bluesy-at-times vocalization, into what has now turned out to be — a polished act. His strings of hits carries his audience along with enthusiasm and applause, and he also gets crowd rave response for his glitzy, colorful apparel-clothing changes during his stage act. His exciting performance can easily project him into class night-spot clubs around the country as well, and possibly gaining further career exposure with more television appearances on many of today’s best variety shows.

The show’s emcee is Detroit radio deejay Sonny Carter, while Motown’s own Earl Van Dyke’s group does an outstanding work in delighting the audience throughout each session and performance. END

The 20 Grand Motel in Detroit. Former proprietor/owner was Detroit Golden World Records owner Ed Wingate. (Click image for larger view).
The 20 Grand Motel in Detroit. Former proprietor/owner was Detroit Golden World Records owner Ed Wingate. (Click image for larger view).

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A MCRFB Note: The Driftwood Lounge, at the time owned by Bill Kabbus and Marty Eisner, was situated inside the 20 Grand multiplex facility once located at 14th and W. Warren Avenue in Detroit. While the former 20 Grand location is a vacant Detroit lot today, the 20 Grand Motel is still situated nearby on West Warren Avenue. During it’s heyday in the 1960s, the 20 Grand Motel became part-and-parcel with the 20 Grand Driftwood crowd after a night of entertainment at the club.

At that time, the 20 Grand Hotel was owned by Detroit’s other soul record-mogul great, Ed Wingate. Wingate owned Ric-Tic and Golden World Records. Many of Wingate’s top soul recording performers (Detroit Emeralds; J.J. Barnes; Edwin Starr; Reflections; Al Kent; Fantastic Four and others) went on to become popular headliners at the 20 Grand Driftwood Lounge in 1965, ’66, ’67 and 1968. — Jim Feliciano

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(Information and news source: Billboard; March 13, 1965)


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WCAR DUMPS MOR FOR ROCK… NOVEMBER 6, 1971

From the MCRFB news archives:

WCAR DUMPS MOR CONSULTING SERVICE; NEW PROGRAM MANAGER NAMED

 

 

 

 

DETROIT — WCAR, the 50,000-watt station here, was revamped in a surprise move last week as the firm consulting the station, Programing db, was replaced by a full-time program manager, C. J. Jones. Neil McIntyre, the previous program director, resigned.

First move by the new program manager Jones was to chop the playlist to 30 records, while adding five new hitbounds. In addition the station will be playing selected cuts from two to five albums, The firm of Programing db had consulted the station for more than a year and only recently switched the format from MOR* to rock. Jones said that when he took over the station Monday (November 1), there were more than 70 records on the playlist. “The air personalities had format clocks that had no real direction and the station paid very little attention to mechanics.”

1130 WCAR-AM Detroit, with overnight shift personality Jim Keene in 1970. (Click on image for larger size).

Under Jones, WCAR air-personalities (and he plans to retain them all, if possible) will be allowed to rap between records to some extent — “say three seconds… or even 25 seconds… but I can’t visualize anything so super important that it needs 25 seconds to say it,” as Jones reiterated. Basically, the station will be a “more music” station, “but with personality, we’ve got some great radio professionals on the air here.” Air personalities include Dan O’Shea 6-10 a.m., Dave Prince 10-2 p.m., Scott Regen 2-6 p.m., Ron O’Brien 6-10 p.m., Ed Busch 10-2 a.m. and Jim Keene 2-6 a.m.

 

From the MCRFB Aircheck Library, featuring:

(Note: three airchecks when WCAR was MOR before the format switch).

WCAR.Scott.Regen.mp3

WCAR.Ray.Otis.1971.mp3

WCAR.Scott.Regen.9.8.1971.mp3

 

“WCAR is a real rarity–the best radio opportunity in the nation. It has a good frequency, 1130 on the dial, 50,000 watts day-timer and 10,000 watts during nights, and it’s well financed. The major station in the market, CKLW, is more or less a time and temperature station. I feel we can succeed by playing a hell of a lot of music per hour.” And he felt that the ruling calling for Canadian radio stations to play a hefty percentage of Canadian product would be to the advantage of WCAR.

Jones is actually a consultant himself. He took responsibility for taking over WFDF in Flint, Michigan, on October 1, 1970, and took it to No. 1 in the market. Currently, he also consults WJIM in Lansing, Mich. He will continue to serve these two stations as consultant, but his major priority at the moment will be focused on WCAR.

WCAR has acquired a semi-custom set of jingles from TM Productions in Dallas–a set using the basics as the jingles package featured on the Pacific & Southern Broadcasting stations.

Jones will be doing the music chores at WCAR himself. The rotation pattern at the station “will concentrate on the top 10 selling records, plus the up-and-coming records (meaning: the records going up the station’s playlist rather than those dropping down). Oldies will be will be programmed fairly heavily in the morning drive period and in the mid-day, “but the format is by no means an oldies format. We will be willing to break a new record if we feel it’s going to be a hit, but not five in a week,” he said, regarding the new records added each week. Both WFDF and WJIM has a playlist of 40 records, plus five new records per week. Each station’s music is picked separately — the other two stations have their own program and music directors. END.

 

(Information and news source: Billboard; November 6, 1971).

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FLASHBACK POP MUSIC HISTORY: MAY 16

From the MCRFB music calendar:

Events on this date: MAY 16

 

 

 

 

 

 

 

 

1956: Vee-Jay Records announces it has signed the legendary R&B doo-wop group Sonny Til and the Orioles to it’s label.

1960: Billboard magazine report that Detroit’s own Berry Gordy plans to create three record labels, including one called Motown.

Tony Bennett, photographed rehearsing “I Left My Heart In San Francisco” at Columbia Records in 1962. (Click on image for larger view).

1963: At this year’s Grammy Awards ceremony in Los Angeles, Tony Bennett’s “I left My Heart In San Francisco” wins Record Of The Year and Best Male Vocal honors, while Ray Charles win the Best R&B Recording with “I Can’t Stop Loving You.” In a strange twist after all considerations, Bent Fabric wins in the Best Rock And Roll Record with their instrumental hit, “Alley Cat.”

1965: The Rolling Stones limo is mobbed and attacked by female fans on their way back to their motel after a concert in Long Beach, California. Reports indicated that numerous females were seen standing on the roof in numbers causing the roof to cave-in. In desperation, while the band attempted to hold up the roof with their hands, the chauffeur accelerates the limo, leaving fans rolling off, bouncing off unto the road as they sped away.

1969: Jack Casady, bassist for the Jefferson Airplane, is arrested in New Orleans for possession of marijuana and is given a suspended sentence of 2.5 years.

1969: During a Who concert at the Fillmore East in New York, a plainclothes policeman rushes on stage to tell the audience a fire has broken out, but guitarist Pete Townsend, thinking out he must be a rabid fan, kicks him off the stage instead. Literally. Townsend is arrested on stage and is fined $30.00 for his spontaneous derelict reaction.

Bachman Turner Overdrive; Randy Bachman, top right.

1970: Randy Bachman leaves the Guess Who to produce an album for Winnipeg band Brave Belt, which he eventually joins. At the suggestion of Neil Young, Bachman recruits fellow Winnipeg bassist and vocalist C. F. Turner, and the band Bachman-Turner Overdrive is born.

1970: Marty Balin of the Jefferson Airplane is arrested in his Bloomington, MN. hotel, after police, responding to a noise complaint call, find the singer smoking marijuana and having sex with teenage girls. His sentence is eventually reduced to a small fine.

1975: Tonight’s showing of NBC-TV’s The Midnight Special is a retro-tribute hosted by Chubby Checker and features musical-performances by Bo Diddley, The Drifters, The Angels, Lesley Gore, The Tymes, and Danny and the Juniors.

Dayton’s very own funksters, The Ohio Players, in the mid-1970s.

1976: Mayor James H. McGee declares today “Ohio Players Day” in the band’s hometown of Dayton, Ohio.

1980: The Carpenters hosts their last television special, Music, Music, Music which airs on ABC-TV.

1980: Brian May of Queen collapses onstage during a concert and is rushed to the hospital, where he is diagnosed (for the second time) with hepatitis.

1980: Elvis Presley’s personal doctor, George Nichopoulous, is brought before the Memphis medical board and is officially charged with 14-counts of abusing his right to prescribe medication. Though he will be acquitted in November, his case will be reopened twelve-years later, when his license will be revoked.

1983: The Temptations and the Four Tops made their appearances on Motown’s 25th anniversary special, and Smokey Robinson and the Miracles are re-united for the show, which aired on NBC-TV. The Supremes (Diana Ross, Mary Wilson, Cindy Birdsong) also reunited for the event, and sang, appropriately, “Someday We’ll Be Together.” Stevie Wonder also performed, singing “You Are The Sunshine Of My Life.”

1985: Manager Ken Kragen — who developed the idea for the We Are The World Recording project to raise money for Africa Hunger Relief — was handed a check for $6.5 million dollars in royalties from Columbia Records President Al Teller. The song’s merchandising rights and album would go on to raise in excess of $50 million.

Johnny Paycheck peering behind bars after being jailed for shooting a man in 1986. Notice this photo looks like it was an LP cover, circle looks like an album ring. (Click on image for larger view).

1986: Johnny Paycheck is convicted of shooting a man when a misunderstanding occurring inside a bar in Hillsboro, OH. The fan was only grazed by the bullet, and Paycheck is pardoned after serving a 22-month prison term.

1987: David Crosby marries his long-time Jan Dance in Los Angeles, with bandmate Stephen Stills giving away the bride and Graham Nash renewing his vows with wife Susan.

1989: Janet Jackson is harassed by fans when she took a VIP tour of Universal Studios in Florida. Adding insult to injury, the fans believed they were hounding her brother Michael, while he was with the tour, was not recognized wearing a disguise.

1998: Keith Richards of the Rolling Stones reaches for several of his books of artistic nudes in his personal library at his home in Connecticut, falls from a ladder, breaks a few ribs, while forcing to band to cancel their upcoming scheduled tour.

2003: While undergoing dialysis, Barry White suffers a stroke, though his sister publicly claims he will perform again, it proves to be the end of White’s public life.

Deaths: Ernie Freeman, (1981); Sammy Davis, Jr., (1990); Marv Johnson; (1993).

Releases: Beach Boys: Pet Sounds; LP.

Recordings: Beatles: “Taxman,” “For No One.” Frank Sinatra: “Summer Wind.” Tony Joe White: “Polk Salad Annie.”

Charts: Bill Haley and His Comets: “Crazy, Man, Crazy” enters the charts, 1953;  Mary Wells: “My Guy” hits No. 1. 1964; Crosby, Stills, Nash and Young’s LP, Deja Vu, hit No. 1 on the charts.

 

 

 

 

 

And that’s just a few of the events which took place in pop music history, on this day….

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R&B ‘SOUL SAUCE’ HAPPENINGS ’71 . . . NOVEMBER 6, 1971

From the MCRFB news archives:

Billboard Magazine: SOUL SAUCE

 

 

 

 

 

Clarence Carter circa 1971.

Best New Record of the Week: “Baby Scratch My Back”

Artist: Clarence Carter

Label: Atlantic Records

 

By ED OCHS

 

Aretha Franklin’s next studio LP, due in January, offers up “I’ve Been Loving You Too Long,” “Young, Gifted And Black,” a new version of “Border Song,” and “Rock Steady,” of course. We like Betty Wright’s “Clean Up Woman,” on Alston Records, but knocking hard on the heels of Aretha, Tyrone Davis, Roberta Flack and Donny Hathaway are Clarence Carter’s “Scratch My Back,” Dee Dee Warwick’s “Everybody’s Got To Believe In Somebody” (a Hayes-Porter number), Electric Express’ “Where Are You Coming From”  and King Floyd’s “Let Me See You Do That Thing.” And Quiet Fire is Roberta Flack’s forthcoming new LP…. United Artists is alive with War’s All Day Music LP, Ike and Tina Turner’s  Nuff Said and Bobby Womack’s Communication albums. Ike and Tina play the Beacon, 74th Street and Broadway, November 27 and 28, Lonnie Jordan and Howard Scott of War produced the West Coast Revival’s “Stop, Think, Get It Together” for UA, and Jimmy Briggs’ “You Were Almost Mine” single is being heard from…. New Undisputed Truth: “You Make Your Own Heaven And Hell Right Here On Earth,” from their new Gordy LP, Face To Face…. Tired of being alone? Sly Johnson says hello to Hi Records, with “Memphis,” in the smoke of Al Green’s long-lasting million seller. Best Of Willie Mitchell, a double-decker LP, keeps the heat on Hi…. Next James Brown’s new single, “I’m A Greedy Man,” on Polydor…. The MG’s, minus Booker T., are back in action with “Jamaica This Morning” on Stax…. Near gold is the Chi-lite’s “Have You Seen Her.” At least seven covers of the smash took the wraps off the Chi-Lites’ original, said Brunswick’s Pete Garris, who didn’t want to slow the album’s push toward the half-million mark by parting with the big cut. “We had 40, 000 copies of the single sitting on the floor,” said Garris, “but now the album is picking up again and with the singles we could hit over 3.5 million pieces.” In a holding pattern is the group’s “I Want To Pay You Back” single, and that’s the good news….

Album Happenings: B.B. King, In London (ABC); Santana, The New Santana (Columbia); Buddy Miles, Live (Mercury); Jimi Hendrix, Rainbow Bridge (Reprise); Quincy Jones, Smackwater Jack (A&M); Dennis Cofey, Evolution (Sussex); Al Green, Gets Next To You (Hi); Ike & Tina Turner, ‘Nuff Said (United Artists); War,  All Day Music (United Artists)  Bobby Womack, Communications (United Artists); Curtis Mayfield, Roots (Curtom); Dick Gregory, At Kent State (Poppy); Beginning Of The End, Funky Nausau (Alston); Young-Holt Unlimited, Born Again (Cotillion); Ray Charles, All-Time Great Performances (ABC); Lucky Peterson, Our Future (Today); Roland Kirk, Best Of (Atlantic); Eric Mercury, Funk Rock (Enterprise); Yusef Lateef, Best Of (Atlantic); Percy Mayfield, Blues And Then Some (RCA)…. Coming soon: Honey Cone, Soulful Tapestry on Hot Wax…. And due from Blue Note are LP’s from Lou Donaldson, Bobby Hutcherson, Gene Harris & the Three Sounds, Rueben Wilson, Richard (Grooves) Holmes.Soul Sauce, and as Uptight Productions president  Marvin Figgins might ask, so which of these Soul Sauce albums will you be listening to today? END.

 

(Information and news source: Billboard; November 6, 1971).

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WKNR 1310: AIRCHEX OF THE WEEK! JERRY GOODWIN

From the MCRFB AIRCHECK library:

Jerry Goodwin on 1310 WKNR-AM “Keener 13” May, August 1966

 

 

 

 

 

JERRY GOODWIN official WKNR personality photo circa 1966. (Click on image for larger view).

…”We have ‘Cherish’ by the Association, which is a pretty, pretty song which we’re gonna play next…”…

 

 

 

 

In 1963, WKMH-AM, Detroit’s only CBS-affiliated “Flagship Radio” station on the dial, was suddenly transformed overnight on October 31. The former was christened with a new set of calls, WKNR, along with a brand-new “total station sound” that would ultimately be known in Detroit as “Keener 13.”

Atone time floundering dismally with low ratings under WJBK and WXYZ on the Detroit radio dial, the Knorr Broadcasting family, which owned WKMH, made their decision to consult with famed radio-programmer Michael Joseph. Coming off recent successful radio changes he implemented prior at WGR-AM in Buffalo, New York, Joseph was hired to “modernize” the old station located in Dearborn, where he immediately instituted there more of his successful up-to-the-minute ‘Top 40’ and news format, but with a shorten “top 31” playlist Joseph implemented instead.

By early 1964, the Joseph radio formula would become the radio success story in Detroit that was, “Keener 13.” “WKNR – The New Radio 13,” as it first prided itself, also had a new crop of air-personalities whose names and popularity rose to prominence a short couple of months after the station’s inception in November 1963.

JERRY GOODWIN 1964. (Photo courtesy of Jerry Goodwin).

By March 1964, WKNR was alone at the top as No. 1. in Detroit. But more so, it was primarily those Keener deejays who were instrumental in retaining high the station’s popularity and sound — Swingin’ Sweeney, Robin Seymour, Bob Green, Gary Stevens, Bill Phillips and Jerry Goodwin.

Jerry Goodwin began his 40-year span broadcasting in radio, beginning in 1959, as Sam Hill in Amarillo, Texas on KFDA-AM. By 1961, Jerry moved over to Dallas’ own KBOX doing evening-drive under a new name while there, as Danny Preston.

But by 1962, it was on to Florida. Jerry found his place in the Sunshine State with the legendary WQAM-AM, the Storer Broadcasting-owned affiliate in Miami. By February 2, 1963, Jerry Goodwin was doing noon to 3 on the famous AM-560 and within three weeks time, he became the new morning man (6-9 a.m. time), replacing Charlie Murdock for that spot on February 23, 1963. During that time, Jerry Goodwin found himself in good company with some of the greatest 560 voices while there, some very familiar — Ted Clark, 9-12; Bob Green, 12-3; Charlie Murdock, 3-6; Tom Campbell, 6-10; Jim Dunlap; 1-6 a.m.

JERRY GOODWIN in the AM studio, WKNR in 1965. (Click on image for larger view)

But by mid-November in 1963, Jerry was no longer at WQAM. By then, Goodwin, along with WQAM’s Bob Green, had made the switch going north to Detroit on “the new Keener 13.”

From late 1963 through the early part of ’68, Jerry Goodwin rode the entire radio success story that was WKNR while here in the Motor City.

But by early 1967, the market was beginning to see some drastic changes across the Detroit radio landscape. The advent of FM radio was on the rise, coupled with the fact there was a new radio station, CKLW, which was starting to dominate the Detroit airways with its massive 50,000-watts of transmitted-power located across the Detroit river in Windsor, Ontario.

 


 

WKNR-AM * Jerry Goodwin * MAY 12, 1966


 

By the end of 1967 WKNR dropped in ratings at No. 2 radio for the very first time. Along with it’s deficient night-time signal, it was by then the station was beginning to lose of their appeal, no longer retainer of the largest audience share WKNR once had embraced in the market the year prior when the station was still hot on top at No. 1.

JERRY GOODWIN one of the “original early greats” on WKNR-AM ‘Keener 13.’ (Click on image for larger view)

By April 1968 more changes became evident at WKNR-AM, both in staff and the management level. By that time ‘The Miami Four’ Bob Green, Ted Clark, Scott Regen (from WFUN; Miami) and Jerry Goodwin were no longer on board on AM Keener 13.

As WKNR-FM began experimenting with an album-rock format in 1968, Jerry Goodwin would instead take to the new “underground” movement in radio by crossing over to the WKNR FM side. At the time, WKNR-FM music director Paul Cannon decided they would compete going against WABX-FM. But the station’s “free-form” run would be entirely short-lived. As changes were on-going at WKNR both on the AM and FM sides, the “album-rock” format was soon dropped on 100.3 FM. It was replaced with an “easy-listening,” MOR music format the station dubbed as “Stereo Island.”

 


 

WKNR-AM * Jerry Goodwin * AUGUST 23, 1966


 

By year’s end 1969, and no longer at WKNR-FM, Jerry found himself with a new home with “album rocker” WABX-FM in Detroit. He was given the 7-11 a.m. time slot and, immediately found his niche there with the station both in popularity and with management personnel. In May 1971, Tim Powell, music director at WABX, had left the station for KLOS in Los Angeles. With that move, Jerry Goodwin, who was chief of creative productions for the station, became the new music director at ‘ABX up until 1972, when thereafter he would leave WABX for his next venture in radio, this time it was on to Toledo’s WIOT-FM. Historically, WIOT became Toledo’s first FM rock station. According to WiKipedia, it went on the air on December 25, 1972.

By early 1973, and having left WABX the previous year, Jerry had moved his family to Onsted, MI., a small township located just outside of Adrian. At the time, WCAR-AM in Detroit was still doing top 40 radio. Jerry Goodwin was hired at WCAR, though briefly, by Paul Christy as a ‘filler’ deejay for the station — a relief man. WCAR luminaries Dave Prince and Dave Shafer were also there, as well as Jim Harper, Kevin Sanderson and Tom Ingram. While at WIOT and while briefly at WCAR, Jerry went on to complete his academics by enrolling at Siena Heights College (today it is a university), where he graduated cum laude in 1974.

Later that same year, in late 1974, Goodwin was back in the Motor City. He was hired by station program director Paul Christy once again, but this time on WWWW-FM. WWWW was a progressive rock station with a unique format, with program emphasis on rock-oriented LP stop-sets they would play (albums in their entirety) during the evenings — well into the all-night hours. All during the time he was at WWWW, Jerry attended the University of Detroit. By 1975, within a year’s time there, he would graduate from the university with honors earning his Masters.

WWWW-FM facility with Jerry Goodwin’s name on the marquee in the early ’70s. (Photo courtesy of Jerry Goodwin; click on image for larger view)

After a brief stay on W4 in Detroit, it was back east in 1976 to his hometown in Boston, where he would do PhD. work at Boston University. It was also during this time Jerry Goodwin would find himself back in radio, one more time, on WCOZ. He would remain in broadcasting in the Boston area for the remainder of his illustrious radio career while there. Stops would include Boston’s WBCN (as the Duke of Madness) from 1979-1982, WCGY (as the Duke of Madness) in 1985, and then it was off to Boston’s WROL from 1994 through 1999, thus capping off a very successful 40-year span in the radio business.

While doing radio in Boston, Jerry Goodwin was teaching radio courses and television performances at the Northeast School of Broadcasting where he taught for 20 years, until 2008. Today, the very same institution where Jerry had taught courses in the arts, the school has since evolved into an accredited four-year college course as the New England Institute of Arts.

JERRY GOODWIN today.

Retired from radio since 1999, Jerry Goodwin today invests quality time in the art of theater, film and television. He is an award-winning actor in the New England area, and is a registered member of the New England Actors Guild. Demand for his professional  “voice over” production work has earned him such clients as Perrier, American Airlines and Goodyear, to name a few, and he also “characterized” his voice-talents with multiple commercial CD-ROM game productions as well.

Currently, Jerry Goodwin has two Indie Films pending, The Red Death and Autonomy, which is slated for film shooting this month, May 2012. Also beginning in June (through October 2012), Jerry Goodwin will take to the stage as an actor in Cry Innocent. According to Jerry, “it will be a live performance based on the trial of Bridget Bishop, the first woman to be tried and executed as a witch” in Massachusetts. The stage production is tentative for its scheduled run at The Olde Salem Town Hall in Salem, MA.

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Today, Jerry Goodwin enjoys the comforts of home in Boston with his family. He is the proud grandfather, “of two amazingly beautiful grand-daughters, Jesse and Mimi Goodwin,” daughters of his son Jason Goodwin, who was born here in Detroit.

 

 

MCRFB would like to express our sincere gratitude to Jerry Goodwin for contributing to this exhibit. Photos courtesy of George Griggs, Art Vuolo, and also Scott Westerman’s Keener13.com.

Thank you Jerry Goodwin for sharing with us those special memories you shared with us on the radio during your successful long broadcasting years on WKNR-AM, WABX-FM and WWWW-FM in Detroit.

 


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ROLLING STONE: THE KINGSMEN, “LOUIE, LOUIE”

 

THE 500 GREATEST SONGS OF ALL TIME: NO. 54

 

 

Writer: Richard Berry; 1955

Producer: Ken Chase

Released: June, 1963; originally on: Jerden Records

Chart: 16 weeks; No. 2

 

A blast of raw guitars and half-intelligible shouting recorded for $52, the Kingsmen’s cover of Richard Berry’s R&B song hit No. 2 in 1963 — thanks in part to supposedly pornographic lyrics that drew the attention of the FBI. The Portland, Oregon group accidentally rendered the decidedly non-controversial lyrics (about a sailor trying to get home to see his lady) indecipherable by crowding around a single microphone. “I was yelling at a mike far away,” singer Jack Ely told Rolling Stone. “I always thought the controversy was record-company hype.” END.

 

54/500: “Louie, Louie” by the Kingsmen

The Kingsmen, with lead-vocalist Jack Ely in front-center

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(Source article: “500 Greatest Songs of All Time,” Rolling Stone Magazine).

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