Motor City Radio Flashbacks extends warm, belated Birthday wishes to Lee Alan (affectionately remembered as ‘The Horn’). Happy Birthday, Lee, we hope your day was truly special. Thank you again, for those great WXYZ radio memories you shared with Detroit nightly on the dial, ‘back in the ’60s’ 🙂
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The above featured photo courtesy of Lee Alan; Facebook. The Lee Alan photo montage below was created by Motor City Radio Flashbacks in 2018.
In my first book, ‘Turn Your Radio On’, there is a photo from the Detroit News referencing how I was able to play the part of The Lone Ranger.
It was all arranged by the late Dick Osgood who was a wonderful friend, Emmy Award Winning Radio icon, and a giant in the early days at WXYZ. One of the three performances we did was recorded with Dick giving a brief history of radio and introducing the cast of the performance. You’ll recognize some of the names.
With an introduction by yours truly, this is the only recording in existence and deserves to be preserved. Most of the cast are now in Heaven, including a bit player, Detroit’s most popular radio and television weatherman, Sonny Eliot.
In adding further to the Lone Ranger legacy, in 1986, Lee Alan wrote to a feature columnist with the Detroit News:
“My childhood hero was The Lone Ranger, but before Clayton Moore. As a boy growing up in Detroit I listened to The Lone Ranger as it was done live from WXYZ on the radio. My Lone Ranger in those days (actually the name was Brace) was Bruce Beemer. His deep, resonant voice created a vivid mental picture of my hero.
In 1965, I shared an office at WXYZ with my dear and recently deceased friend, Joel Sebastian. I heard a voice from the hallway. And there he stood . . . 60 plus years of age — looking just like I always thought he would. I nervously introduced myself. He shook my hand, and with the other . . . he gave me a silver bullet. Five days later he died.
“In 1985, at the national convention of the ‘Friends Of Old-Time Radio,’ the Lone Ranger was recreated by the original cast. They asked me to go and play Brace Beemer’s part. For 30 minutes I was surrounded by all the thundering hoof beats from out of the past and realized my boyhood dream. I was the Lone Ranger . . .”
“I retired from radio in 1970 and opened my ad agency about 16 years ago,” said Alan. “The horn and ashtray are locked up in a vault, along with photos and film clips of my radio days. But nothing means more to me than that silver bullet. That and the fact that I actually became the Lone Ranger . . . if only for a little while.”
Alan also added, “The cast members, when I had the wonderful opportunity to play Brace Beemer’s part as the Lone Ranger before a live audience of a thousand people, included Fred Foy who was the show’s announcer, Dick Osgood, Rube Weiss as Tonto and, the show’s actual director on WXYZ, Chuck Livingstone.
When it was over a small elderly lady approached me and said: “I closed my eyes and it was him . . . I heard his voice. It was him.”
The lady was Leta Beemer, widow of Brace Beemer. My “Lone Ranger.” She saw the “pictures” that only radio can produce.
Lee Alan | March 15, 2022
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A special Thank You to Lee Alan for recently providing his special audio presentation of The Lone Ranger for this page on Motor City Radio Flashbacks.
This WNIC recording, having been long-held as part of our Detroit radio collection, essentially was found incomplete in its recorded form. And while the recording’s quality varies, nevertheless its contents is worthy, in my view, for posting today as our featured presentation on this New Year’s Eve, 2021.
The WNIC broadcast was recorded on two 100 minute cassette tapes. In the process of enhancing the audio, I removed, having edited in part, about a half hour of the recording found in the b-side of tape one. This was due to excessive ‘wow and flutter’ having been picked up during the recording process. Also, it bears noting the official ‘countdown to 1983’ (in-studio with Lee Alan) was not found in the recordings as well. What we do have is what you will be listening to today.
Nevertheless, this was a special WNIC New Year’s Eve presentation. The broadcast was taped by our friend Greg Innis. He has kept them in his personal Detroit radio airchecks collection for the past thirty-nine years. As you listen, you will immediately note it is chock-full of listener call-in’s, great memories, stories and sounds, having shared with a large WNIC audience by The Horn on New Year’s Eve night, December 31, 1982.
Lastly, in commemoration of this featured presentation, I also added extensively more to Lee Alan’s exclusive feature (he shared for the broadcast) of Chuck Berry’s live performance at the Walled Lake Casino near the end of the recording.
Enjoy. Lee Alan’s New Year’s Eve Party on WNIC. Happy New Year!
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A special THANK YOU to senior site contributor Greg Innis of Livonia, MI., for having provided this featured WNIC audio gem for our Motor City Radio Flashbacks aircheck repository.
JIM HAMPTON PRODUCTIONS * September 14, 2019 * WXYZ REMEMBERED
BOB GREEN PRODUCTIONS * September 14, 2019 * WKNR REMEMBERED
JIM HAMPTON PRODUCTIONS * September 14, 2019 * CKLW REMEMBERED
THE LAST DETROIT RADIO REUNION
—September 14, 2019—
ONE YEAR AGO TODAY
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SPECIAL ACKNOWLEDGEMENTS
JIM HAMPTON
A special ‘thank you’ to Jim Hampton (Greenhouse Productions), of Cathedral City, California, for producing the WXYZ and CKLW visuals he created — and was presented on screen — for the Last Detroit Radio Reunion.
Both audio portions of Jim Hampton’s special video presentations is featured in its entirety, here.
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BOB GREEN
A special ‘thank you’ to Bob Green(Bob Green Productions), of Houston, Texas, for creating and producing the WKNR visual which was presented — on screen — at the Last Detroit Radio Reunion.
The audio portion of Bob Green’s special video presentation is featured in its entirety, here.
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CHRIS AUGER
A special ‘thank you’ to Chris Auger. All photographs presented here, having been marked, is the sole property of the photographer named, with all due credit. All images copyrighted 2019.
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LEE ALAN
Last, a sincere ‘thank you’ to Lee Alan. Many months were devoted by him into the planning and putting together this Last Reunion event, and ultimately, the reality it became.
Thank you, Lee Alan
Jack Scott passed away in December 2019. Johnny Williams and Robin Seymour passed away in April 2020
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THE LAST DETROIT RADIO REUNION 2019
For more images of the Last Detroit Radio Reunion on Motor City Radio Flashbacks, posted last September 16 (featuring the photographs of Charlie O’Brien), goHERE
MEMORIAL DAY * Lee Alan * LEE ALAN CREATIVE PRODUCTIONS
WORDS OF REMEMBRANCE
“As we express our gratitude, we must never forget that the highest appreciation is not to utter the words, but to live by them.” – John F. Kennedy
“Freedom is never more than one generation away from extinction. We did not pass it to our children in the bloodstream. It must be fought for, protected, and handed on for them to do the same, or one day we will spend our sunset years telling our children and our children’s children what it was once like in the United States where men were free.”- Ronald Reagan
“Let their remembrance be as lasting as the land they honored.” – Daniel Webster
“It is foolish and wrong to mourn the men who died. Rather we should thank God such men lived.”- George S. Patton
“Our flag does not fly because the wind moves it. It flies with the last breath of each soldier who died protecting it.”- Unknown
A DAY OF REMEMBRANCE
“From the opening battle of the American Revolution through the turmoil of the Civil War, World War I, World War II, Korea and Vietnam, to the Persian Gulf and today’s operations in the war on terror in Afghanistan, Iraq, and around the world, our members in the military have built a tradition of honorable and faithful service. As we observe Memorial Day, we remember the more than one million Americans who have died to preserve our freedom, the more than 140,000 service personal who were prisoners of war, and to all of those names who were declared as missing in action.
Gratefully honoring those who made the ultimate sacrifice in defense of liberty’s blessings. Please listen and just reflect what each of them must have gone thru in those terrifying moments before giving their lives. Bless them all.” — Lee Alan
A RETROSPECT INTO THEMAKING OF A GREAT DETROIT BROADCASTING LEGEND and THE END OF A TOP 40 GIANT
A LOOK BACK INTO WHAT MADE THIS STATION GREAT
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DETROIT, November 28 — WXYZradio. A Detroit radio legend.Rich in historyas one of the most storied and oldest broadcasting institution in Detroit or for that matter, the entire country. Eighty seven-years ago, according toWikipedia, the station spawn birth in the Detroit area under the calls WGHP on October 10, 1925.
In the 1930s and ’40s, WXYZ created and brought Detroit and the country great radio programming such asEddie Chase‘s popular ‘Make Believe Ballroom’ and as well, serials such as the legendaryThe Lone Ranger, popularized nationally through Mutual affiliated stations after its premiere on WXYZ in 1933. Detroiters also tuned in on WXYZ for the latest thrilling adventures ofThe Green Hornet, The Challenge of the Yukon(tailored after dog personality Rin-Tin-Tin). These historic radio broadcasts were produced locally from the station’s annex-studios, located at the former Mendelson building on East Jefferson Avenue in Detroit. Earlier on, these entertaining WXYZ radio programmings were heard on many stations through the Mutual group across the U. S. and Canada. Immediately afterthe war years, in 1946,the station was soldand was purchased by theAmerican Broadcasting Network in New York.
By the early 1950s, ABC and WXYZ brought out the best in quality programming in Detroit on the TV dial. Programs such asWild Bill Hickok, SupermanandThe Cisco Kid. The Lone Ranger was still the big show on Thursday nights. Over on the radio dial, interspersed between network news and commentaries, music shows and local programming, WXYZ brought DetroitersOzzie and Harriet, Corliss Archer andBig Time Boxing on Friday nights. Still prime on WXYZ radio since coming back to Detroit from New York in 1947 wasJohnny Slagle. Slagleinitially came over to Detroit (WXYZ) from Cleveland in 1935. And WXYZ had the most popular disk jockey in all of Detroit during that time – both radio and TV —Ed McKenzie.
L e g e n d
But by the mid-’50s WXYZwas in search of it’s own identity with ideas for newer audience appeal. The station management impressed the ABC brass in New York to drop many of the local shows and transcend to a more modern sound. Now with new alternative moves towards capturing better ratings in the market, much of the old ABC network programming was being replaced while diverting some attention to the music of the times. The added new voices on 1270 became the newest household names.Paul Winter,Micky ShorrandJack Sorrellwith his jazz-themed ‘Top Of The Town.’ It was a bold move which proved successful. Now riding on its new-found successes, WXYZ evolved into playing more of the mainstream pop hits, rock ‘n’ roll and current popular album themes being played around the country in the modern radio era.
By 1958,there was a strict playlist with a more contemporary music format to follow. No longer were the deejays allowed to play whatever they wanted to play. Another page in Detroit radio history had been turned. WXYZ was to become the first ABC-owned radio station to play Top 40 hits (or then labeled as ‘Formula Radio’) in the entire country.
The top 40 formula at WXYZ was now growing in popularity on the Detroit radio dial. Now heading forward well into the early 1960s, the 1270 top 40 notables would comprise of great air names asFred Wolf; Joel Sabastian;Paul Winter; Steve Lundy; Don Zee; Fred Weiss;Dave PrinceandLee Alan. It was during this timeWXYZ was then battlingStorer-owned WJBK and RKO General’s CKLW for the Top 40 crown in the Motor City. During theearlier top 40 transition periodsome of the old radio names would leave WXYZ. Others remained. By this time WXYZ radio had begun its fierce battle going full force head-to-head for top ratings going against Detroit’s top-rated WJBK 1500. Having gained ground, WXYZ andWJBKat times found themselves into a virtual ratings tie vying for the top 40 title on the dial, seemingly, with no end in sight.
By then WXYZ radio held down a huge Detroit audience over the competition for market share. Radio 1270 became the hottest commodity on the radio dial for local music venues and dance entertainment. No. 1 in the ratings, they became a heavy influence for record sales in Detroit. The station’s playlist now comprised mostly the nation’s most popular records from the Billboard charts, and by 1962 WXYZ was center stage of what was happening in and around town. There was the legendary broadcasts from theWalled Lake Casino, Club 182 and more . . . and on the television side Club 1270 was gaining Detroit audience popularity as Joel Sabastian and Lee Alan introduced the hottest WIXIE hits on WXYZ-TV.
By early 1963, after coming on board the ABC-owned and operated station in February the previous year, Lee Alan, with the “Lee Alan Show” was by then pulling in a phenomenal 40 per cent share of the Detroit audience during the early eveningand night time hours, according to a 1963 Hooper radio survey. Lee Alan. The name itself would come to be one of the most popular and recognized names ever in ’60s Detroit radio history.
M o r e T o p 4 0 Y e a r s – T h e ‘ 6 0 s
But by late-summer of 1964,WJBK was outof the Top 40 business. The ABC-owned station now found itself heavily competing againstWKNR and CKLWfor a greater market share they once dominated in recent years.Joel Sabastian left WXYZfor the Windy City that year. Lee Alan left momentarily, came back again, this time working in the WXYZ television studios. By late-summer 1965, the veteran morning-broadcasterFred Wolf left WXYZ for retirement. Wolf, never one for the new limitations or “restrictions,” had been with the station since the early ’50s. With Wolf’s exit, it was out with the older traditions the station seemed to have embodied throughout the many years previous.
WXYZ, under the direction of Chuck Fritz, the 37-year old general manager at the station since 1963,was by then re-structuring the station’s appeal for a younger audience. With the Fred Wolf era gone and out of the picture, Fritz extended his sights in search for a younger (but calmer, more contemporary) voice in filling the morning void. They found that voice in Marc Avery. He was hired with the hopes in retaining the older Wolf audience, while at the same time appeal to a younger audience being drawn to the“New Radio 13”popularity on the radio dial. The new “Keener Sound” was by then fast retaining the largest rise in total market share in Detroit radio history. By the latter part of 1965, there was several changes in the WXYZ line-up. The WIXIE drive was gearing forward with their biggest run against the competition in the Detroit top 40 market.
The WXYZ line-up in late 1965 consisted of some of the greatest radio voices heard on Detroit radio during that time.Marc Avery, 6-10;Steve Lundy, 11-2; Dave Prince, 2-6; Lee Alan, 7:15-10;Danny Taylor, 10-1;Pat Murphy, 1-6 AM.
But it was also during this time the station’s own commitment to recapture a higher market share, seemingly came to an impasse, a standstill in the ratings. But certainly not for any lack in trying. At the station, there were those who were beginning to feel their efforts moving forward for a larger audience share was by now, possibly, being hampered by all the network programming fed into the Detroit affiliate out of New York.
Here listed below is the ABC network programming line-up on WXYZ for a typical broadcast day, according to Billboard, July 17, 1965:
WXYZ: 5,000 watts. ABC affiliate. Music format: Contemporary. Editorializes twice a week. Highly-identifiable air personalities. Special programming: “Don McNeill Breakfast Club” 10-10:55 a.m. M-F. “Lou Gordon Comments,” 2-minute commentary, 6:25, 9:25 a.m., 12:05 p.m. M-W-F. “Call Board-Dick Osgood,” drama-critic with interviews, 9:30-10 a.m. Sun. Al Koski is in charge of 12-man news department, mobile units, Mini-Tapes.“Morning Reports” 6:55-7:05 a.m. M-F. “Assignment The World,” 1 and-a-half hours of news, sports, business, show world and special reports, 5:45-7:15 p.m. M-F.
General manager Charles D. Fritz. Send 4 copies of 45’s and 2 copies of LPs to program director Bruce Still, 20777 W. Ten Mile Rd., Detroit, Michigan 48219. WXYZ-FM: ERP 27,000 watts. Simulcast with WXYZ-AM.
Also, according to the Billboard issue dated above, WXYZ was now ranked third at 22% below CKLW’s 34% and WKNR’s 44% share of the Detroit market overall, in that order. But on the side, there was still glimmers of hope. Despite the lowest ratings of the top 3, WXYZ’s The Marc Avery Show held the No. 1 pick for the mid-morning time-slot over Robin Seymour at WKNR, according to Billboard’s Radio Response Ratings in the same July 17, 1965 issue.
B e g i n n i n g O f T h e E n d
Moving into the new year in 1966, more changes were in the wind for WXYZ. Lee Alan, he was by now in line for program director by station manager Chuck Fritz. The suggested appointment for PD was approved by the ABC brass-heads in New York. Replacing Bruce Still, Lee moved into his new position in March of that year.
By then Steve Lundy headed out west to another ABC-owned station, in San Francisco. Under Alan’s tenure as new station PD, Pat Murphy would move up in the afternoon time-slot on WIXIE, from the all-night hours. Meanwhile, during a short stay in Cleveland in early 1966, Lee Alan discovered the sound ofJoey Reynoldsat WIXY. By April, after talking to Fritz that he should hire him immediately, Alan had Joey Reynolds making the move over to the Motor City.
About this same time,Jimmy Hamptonwas hired as the new over-night personality on 1270. In April, Alan also brought back the Detroit Sound Surveys for record retail outlets scattered throughout the Detroit metro area, highlighting the best in top 40 music WXYZ could offer from Broadcast House. Lee Alan also had written, composed and produced the music for the new‘Personality-Plus’ jinglespackage (click highlighted reference for audio) for the station’s new sound for 1966. The new jingles custom were produced in Chicago by Dick Marx Productions for Lee Alan and were beautifully sung for WXYZ by the famous Anita Kerr Singers. Management, the entire radio staff and Lee Alan, now as program director were convinced the right formula was now in place moving forward for 1966.
But by mid-1966, not much had changed for WXYZ during their battle for higher ratings in Detroit. According to the Billboard trade publication dated July 2, 1966, CKLW lost five percentage points from the year before. Now holding a 29% share, a year earlier they held a higher 34% in 1965. Still at second overall in 1966, 3 of the CKLW share percentage points went toWKNR, who gained 47from a 44 previous. Meanwhile, WXYZ, gained two percentage points from the 5 CKLW lost within a year. By year’s end, WXYZ was now a slight 24 from the previous 22% they held in 1965. Yet, the station found itself still mired at third in the top 40 market.
But the “problem” about network programming was still there. For many at the station it only served as reminder who it was who still owned the station. Some had advocated openly to the station manager, Lee Alan among them, that network programming out of New York was “killing” the station. That it should be dropped. That in 1966 the listeners instead wanted more of the music. But pleas towards Fritz to persuade ABC in New York to drop network programming fell on deaf ears.
According to Lee’s book, entitled, “Turn Your Radio On,” during the battle for ratings in 1966, Alan stated, “I have to say that in despite Chuck Fritz’s and ABC’s stubborn refusal to kill the old network programs, and let us be the pillar sound we needed to be, to get back on top — boy, we gave it everything, everything we had. And we had a terrific time doing it.”
In concluding, Alan elaborated further, “I still had hopesthat ABC would kill the breakfast club and that listener-chasing hour and 20 minutes of news, 6 O’clock – 5:55 – when all of a sudden Bill Drake came into townand did exactlywhat Joel Sabastian, Dave Prince and I, had pleadedwith Chuck Fritz to do back in 1963.
Bill Drake came here, and turned CKLW into the BIG 8. Bill Drake made the BIG 8 happen.Did it against WKNR just the way we could of. Now we have both ‘CK and Keener to contend with. Instead of staying in the battle,Chuck Fritz and WXYZ were about to give up, were about to surrender. Martin and Howard were hired . . .the scene was set for the end. And it would unfold just as I had predicted.”
It was over.
After just two weeks going into 1967, it was apparent thetop 40 runat WXYZ was finished, over and was done. By January’s end Lee Alan was gone. The format was changed. Martin and Howard was in, Joe Bacarella was the new program director and WXYZ was officially“Sound Of The Good Life.”
The end of a Detroit broadcasting legend. The end of an era.
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— ABOUT THIS FEATURE —
At last count, checking site data in the WordPress back-panel for the above WXYZ article, traffic numbers indicates this post has been viewed 6,031 times as of September 20 — within a 3 years span — since traffic count began on this website in January 2016. The current data marks this article the most viewer-generated feature to date on Motor City Radio Flashbacks.
For the benefit of our new website viewers who may have missed it (archived; 2012) we are reposting this article today.
This post initially was featured on this site, November 28, 2012. It was updated on November 28, 2016.