Day: May 29, 2012

WJR-FM SEEKS NEW CALLS: WHYT-FM . . . JULY 3, 1982

From the MCRFB news archives:

NEW CALL LETTERS SOUGHT: WJR-FM Getting Joseph, ‘Hot Hits’

 

 

 

 

 

NEW YORK — When consultant Mike Joseph arrives in Detroit the first week in July, he’ll be taking his “Hot Hits” format to WJR-FM, which petitioned the FCC for a call-letter change to WHYT-FM on June 8.

Joseph confirmed Thursday that he would “monitor and research” the Motor City market for WJR, but it’s premature for him to commit to a new station sound. The Capitol Cities property is now a beautiful music outlet in the Detroit market.

WHYT-FM studios situated on the 21st floor of the Fisher Building in 1986. (Click on image for larger view; photo courtesy Gary Berkowitz).

Joseph normally lives in the market he’s consulting for a six-month period. But he says the length of his stay in Detroit will be “open ended.” The consultant last worked on the city scene in 1963, when he engineered a one-book turnaround for WKNR-FM, which simulcast the Top 40 sound he instituted for WKNR-AM during that time.

WJR-FM general manager Roger J. Longwell was in Cedar Point Amusement Park in Sandusky, Ohio on Wednesday, and was unavailable for comments on Joseph’s hiring. But WJR-FM sales manager Roger G. Sisson confirmed that the station had petitioned the FCC for new call letters and that other Motor City stations have been notified.

WHYT airstaff in 1986: Capt. Rick Jagger; Mark Jackson; Mike Benson; Jennifer Stevens; Bob Shuman; Dirk Hunt; Bobby Mitchell; J.J. Walker; Michael Waite and Bob Stuart. Kneeling: Hal Buttermore and Gary Berkowitz. (Click on image for larger view; photo courtesy Gary Berkowitz).

Joseph’s arrival “proves again that Detroit is the most volatile market in the country,” according to Elaine R. Baker, vice-president and general manager of WOMC-FM (104.3), an adult contemporary Metromedia outlet in Detroit. “I suspect the stations in the market will take a wait-and-see attitude.”

Baker says she doesn’t anticipate a format change at WOMC at present, although she notes that “aggressive management always look at new possibilities. But we’re adult contemporary and that’s where we are today.” Asked about any possibility for change “tomorrow” at WOMC-FM, the station executive replied, “I don’t have a crystal ball.” END

 (Information and news source: Billboard; July 3, 1982).

WHYT 96 Hot Hits (MCRFB)

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MARTHA & THE VANDELLAS DEBUTS THE COPA . . . JUNE 22, 1968

From the MCRFB news archives:

Martha Reeves & The Vandellas Rock (and Soul) It to ‘Em; Wows ‘Em in the Big Apple

 

 

 

 

NEW YORK — Martha Reeves and the Vandellas, three sparkling ambassadors from Motown country in Detroit, delivered soul music downtown to the Copacabana on Thursday, June 20, to weather a spell on prom-happy students and other scholars of the soul sound.

Martha Reeves & The Vandellas circa 1968 (click on image for larger view).

Martha Reeves, the tall beauty who delivers the major sock in the group’s soul, marshaled the Vandellas through an opening-night traffic jam of steps, fancy hand symbols and harmonies. They sang “Ready For Love,” “Come And Get These Memories” and “Heatwave,” a medley of the trio’s golden goodies, then jumped into “Nowhere To Run” and “Honey Chile,” a booming gospel chorus punched through and through with that Motown magic.

The Copa debut of the Gordy artists touched off an in-person sit-in by Motown dignitaries and artists who loyally ringed the first-level stage. Smokey Robinson, Diana Ross of the Supremes  and Berry Gordy presided over a crowd that also included Arthur Prysock and local deejay Hal Jackson. The Vandellas sand “I Can’t Help Myself,” originally by the Four Tops several years back, another stellar Motown act.

Martha Reeves and the Vandellas excited the Rhythm and Blues buffs with three encores with such materials as “Dancing In The Streets,” one of their best sellers, and “I Promise To Wait My Love,” their latest release off the Gordy label.

Miss Reeves, smooth and stylish on with her soulful renditions throughout the evening on stage, also sang a cover of the Ruby & The Romantics hit, “Our Day Will Come,” while accompanied by famed soul guitarist David T. Walker. The solo, which Miss Reeves strung along with vocal agility, suddenly turned into a rock revival as the Vandellas chipped in with the echo/reverb machine on, while drummer Melvin Jones turned up the beat laced with rapid rhythmic brushes and strokes.

“Nobody Knows The Trouble I’ve Seen” and “He Love Me, He Needs Me” also delighted the crowd into frenzied rippling applause and spontaneous standing ovations. END

(Information and news source: Billboard; June 22, 1968)

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